Six of the best – Part I

A little while back I did a list of the seven worst films I had ever seen. And that was all very funny (I hope) but also negative. And what with the state of the world currently we could likely do with a little more positivity. So, following some recent questioning by folks I have decided to put up my top six films. It was gonna be five but… I just couldn’t get it into five. The clips are about three to four minutes long. In the manner of classic countdowns we’ll start at the bottom and work towards number one. So, leading us off is a classic noir and one of only two black and white films that made the list (to the surprise of many I am sure). It’s Bogey and Bacall in…

Number Six

Is Bogart good? He’s outstanding. of course he is. But it is the other characters who light up this film. The whip smart dialogue and not a weak link to be found. And Bacall…
There have only been about five true goddesses in cinema and Lauren Bacall was one of them. The others being the Hepburns, Marilyn Monroe and Elizabeth Taylor. If you haven’t seen this film then Bogart plays detective Phillip Marlowe who is hired by General Sternwood to deal with a small blackmail problem. Which issue Marlowe handles with aplomb but then he makes the mistake of looking into another mystery – the death of one Shaun Regan. It does not go well, as you can imagine. From the novel by Raymond Chandler this is classic golden age hollywood. Seriously, if you haven’t seen this film then fix that at once. You aren’t allowed to call yourself a grown up until you have and everyone should have seen this and Casablanca by the time they hit 30. Either one of them makes an excellent date movie if you are trying to impress a person. Moving on to…

Number Five

Khan is a story in 5 acts and at the very end of the clip above we are at the turning point near the middle of the film where everything changes. The script is practically flawless and disliked only by those who will never like sci-fi no matter the quality. I place The Wrath of Khan higher up than other fantasy classics like ET because it is of the same standard but has more adult themes. If the action took place on two naval vessels and a couple of desert islands rendered in black and white it would be regarded as a masterpiece by all and sundry. The layers in the storytelling are worthy of their literary bases and it is sad only that Star Trek never quite reached these heights again. The new version of this very story Star Trek: Into Darkness tries its best but fails because it does not have the honesty of this original. Where here there is characterisation and motivation in the form of the personal hatred of Khan for Kirk the newer version has a more distant motivation for Khan – there is no connection to Kirk but just a general need to save his people. The newer film fails because it has not had the time to set up the relationships that Khan had – and also because studio films tend to place CGI and action at the top of the list instead of characters.

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